Mateusz Choróbski works across various mediums and imaging techniques, including video, installation, performance, sound, and sculptures. He also creates site-specific activities in public spaces (e.g. a ‘sky’ over the city). The human body and architecture are both given equal treatment in the works of Choróbski, who takes the extreme state of their remnants under close scrutiny: extreme deconstruction, poverty, and economic crisis. The decay of once-modern architecture, the debt or that of the body lying on an anti-pressure sore mattress are the recurring motifs of his artistic practice.
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on view group exhibition
“The Impermanent Four Takes on the Collection” at MoMA Warsaw, 21.02–05.10.2025
on view group exhibition
"The Enlightened Ones" at Cliché Gallery in Warsaw, 28.03-18.05.2025
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In the large forecourt of Fabbrica del Vapore, framed by industrial buildings and next to an urban transit route, Mateusz Choróbski presented his installation "Hide and Seek", a site-specific work that links two places: the factory, where it is located, and the nearby Monumental Cemetery, which inspired him. The short journey from the production site to the silent and vast space of the cemetery is poetic and intense. The installation features 24 miniature glass houses, each of them hosting an hour of the day, represented by the streetlights laid on the ground, disused but lit – as are the bodies laid in the earth in the nearby cemetery, whose identities surface through the representations on their graves. Choróbski’s light sculptures spread across the forecourt and intercept the visitor by revealing the factory space in a nocturnal and mysterious way, as if they were a Symbolist and Romantic work. […] Maria Fratelli
Extract from the text accompanying the exhibition published in the catalogue.
In the large forecourt of Fabbrica del Vapore, framed by industrial buildings and next to an urban transit route, Mateusz Choróbski presented his installation "Hide and Seek", a site-specific work that links two places: the factory, where it is located, and the nearby Monumental Cemetery, which inspired him. The short journey from the production site to the silent and vast space of the cemetery is poetic and intense. The installation features 24 miniature glass houses, each of them hosting an hour of the day, represented by the streetlights laid on the ground, disused but lit – as are the bodies laid in the earth in the nearby cemetery, whose identities surface through the representations on their graves. Choróbski’s light sculptures spread across the forecourt and intercept the visitor by revealing the factory space in a nocturnal and mysterious way, as if they were a Symbolist and Romantic work. […] Maria Fratelli
Extract from the text accompanying the exhibition published in the catalogue.
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